|
=== Improvizacija ===
{{Quote box|style=padding:10px;|quote="We'reMi sosmo differenttoliko fromrazličiti eachjedni otherod thatdrugih oneda nightjedne someonenoći inneko theodsvira bandnešto willnalik playčemu somethingniko thatod thenas restnikada ofnije usčuo have, neverjednostavno heardmoraš beforeda andzastaneš youi justoslušneš havena tosekund listen. forPotom areaguješ second.na Thenfrazu you, reactuobičajeno tona hispotpuno statement,drugačiji usuallynačin innego ašto differentbi wayta thanosoba theyočekivala would expect. It'sPo themeni improvisationje thatimprovizacija makesono thešto groupčini amazingbend for mesjajnim. You knowZnate, taking chancesrizikovati. There isNe nopostoji format reallyu inkoji whichsvi wezaista fall intoupadamo. WeOtkrivamo discoverstvari thingsdok whileimprovizujemo improvisingi andako ifsu they'reto reallyzapravo basicallydobre goodideje ideas, wetrudimo tryse andda workih themrazradimo inu asnove newstvari numbers, alldok theodržavamo whileimprovizaciju keepingživom thei improvisationširimo thingje alive and continually expandingdalje."|source=—King—Violinista CrimsonKing violinistKrimsona DavidDejvid CrossKros ono thepristupu mid-1970sbenda band'simprovizaciji approach tou improvisationsedamdesetima.<ref name=BOOK/>|width=28%|align=right}}
King Krimson je od početka imao improvizacije u studijskim snimcima , kao i u izvedbama , neke od kojih su bile labilno ubačene u kompozicije kao što su "Moonchild" i "THRaK". Većina nastupa je uključivalo bar jednu samostalnu improvizaciju gde bi bend jednostavno počeo da svira , i pustio da muzika ode gde god želi , ponekad uključivajući deonice uzdržane tišine , kao na Bil Brufordovom doprinosu improvizaciji "[[Trio]]". Najraniji primer King Krimsonove višeznačne improvizacije je često kritikovana proširena koda kompozicije "[[Moonchild]]" sa albuma [[In the Court of the Crimson King]].
Umesto da koriste standardni format džez i bluz džema gde se improvizacija ogleda u tome da solilsta improvizuje dok ga ostali prate već utvrđenim ritmom i harmonskom progresijom, King Krimson improvizacija je grupni poduhvat u kom svaki član benda može doneti kreativnu odluku o osvom doprinosu. Individualno soliranje je uglavnom izbegavano , svaki muzičar mora da sluša ostale i generalni zvuk , da bi mogao da odreaguje u kontekstu . Sličan metod su prvobitno koristili savremenici King Krimsona iz jazz-fusion sastava[[Weather Report]]. Frip je koristio metavoru "bele magije" da opiše proces i kada proces radi naročito dobro.
<br />
== Influence ==
King Crimson have been influential both on the early 1970s progressive rock movement and numerous contemporary artists. [[Genesis (band)|Genesis]] and [[Yes (band)|Yes]] were directly influenced by the band's initial style of symphonic Mellotron rock,<ref name="DGMBIO">{{cite web|url=http://www.dgmlive.com/kc/index.htm?bio=true|title=King Crimson biography|publisher=Discipline Global Mobile (dgmlive.com)|archiveurl=https://web.archive.org/web/20070927222641/http://www.dgmlive.com/kc/index.htm?bio=true|archivedate=27 September 2007|deadurl=yes|accessdate=29 August 2007|df=dmy-all}}</ref> and many King Crimson band members were involved in other notable bands: Lake in [[Emerson, Lake & Palmer]], (some of whose songs can be regarded stylistically as Lake's attempt to continue the early work of King Crimson); McDonald in [[Foreigner (band)|Foreigner]]; Burrell in [[Bad Company (band)|Bad Company]], and Wetton in [[UK (band)|UK]] and [[Asia (band)|Asia]]. Canadian rock band [[Rush (band)|Rush]] cites King Crimson as a strong early influence on their sound; drummer [[Neil Peart]] credits the adventurous and innovative style of [[Michael Giles]] on his own approach to percussion.<ref name="DGMBIO" />
King Crimson's influence extends to many bands from diverse genres, especially of the 1990s and 2000s. [[Tool (band)|Tool]] are known to be heavily influenced by King Crimson,<ref name="DGMBIO" /><ref name="TOOL">{{cite web|url=http://toolshed.down.net/articles/index.php?action=view-article&id=August_2001--MTV_Online.html|title=Tool Stretch Out And Slow Down in Show With King Crimson|author=Bond, Laura|year=2001|work=MTV.com|accessdate=23 March 2007}}</ref><ref name="LATPITCH">{{cite web|url=http://www.pitchforkmedia.com/article/record_review/22622-lateralus|title=Lateralus|publisher=Pitchfork Media (pitchforkmedia.com)|archiveurl=https://web.archive.org/web/20070710113813/http://www.pitchforkmedia.com/article/record_review/22622-lateralus|archivedate=10 July 2007|deadurl=yes|accessdate=29 August 2007|df=dmy-all}}</ref><ref name="EdJourn">{{cite news|url=http://www.ausu.org/voice/pdf/pdf2002/1039-Oct09-02_VOICE.pdf|title=From My Perspective – Tool Concert|author=Jabbour, Debbie|date=5 October 2002|work=[[Edmonton Journal]]|accessdate=24 June 2007|archiveurl=https://web.archive.org/web/20050525173504/http://www.ausu.org/voice/pdf/pdf2002/1039-Oct09-02_VOICE.pdf|archivedate=25 May 2005|publisher=ausu.org|format=PDF|quote=Their roots lie with seminal alternative band King Crimson [...]}}</ref> with vocalist [[Maynard James Keenan]] joking on a tour with them: "Now you know who we ripped off. Just don't tell anyone, especially the members of King Crimson."<ref name="TOOLNEWS">{{cite web|url=http://www.toolband.com/news/letter/2001_09.php|title=August/September 2001 newsletter|publisher=Tool official website (toolband.com)|archiveurl=https://www.webcitation.org/6Gudv4efY?url=http://www.toolband.com/news/letter/2001_09.php|archivedate=26 May 2013|deadurl=yes|accessdate=29 August 2007|df=dmy-all}}</ref> Modern progressive, experimental, psychedelic and [[indie rock]] bands have cited them as an influence as well, including [[the Mars Volta]],<ref>{{cite web|url=http://www.monstermagazine.no/21_marsvolta.html|title=Mars Volta|last=Larzen|first=Geir|website=MonsterMagazine.no|language=no|archiveurl=https://web.archive.org/web/20050214045922/http://www.monstermagazine.no/21_marsvolta.html|archivedate=14 February 2005|accessdate=20 February 2017|quote=''Q'': Dette til tross, du kan ikke nekte for å være utpreget influert av King Crimson og Robert Fripp.{{break}}''Omar Rodríguez-López'': Selvfølgelig ikke! Jeg gjør faktisk ingen forsøk på å skjule min affekt for Fripps arbeider. [...] ble jeg introdusert for King Crimson, og på nytt kollapset alt, men på en konstruktiv måte.{{break}}(''Q'': You can't deny that you're influenced by Robert Fripp and King Crimson, right?{{break}}''[[Omar Rodríguez-López]]'': No, of course not! I make no attempt to hide my affection for Fripps work. [...] I was introduced to King Crimson and again everything collapsed, but in a constructive way.)}}</ref><ref>{{cite web|url=http://www.stereogum.com/1254741/deconstructing-the-rise-demise-and-legacy-of-the-mars-volta/franchises/deconstructing/|title=Deconstructing: The Rise, Demise, And Legacy Of The Mars Volta|last=Schafer|first=Joseph|date=7 February 2013|website=[[Stereogum]]|accessdate=20 February 2017|quote=[...] In contrast, ''[[De-Loused]]'' skips Tribute’s [[Faith No More]] worship and leaps straight to King Crimson (their most important influence — more on this later).}}</ref> [[Porcupine Tree]],<ref>{{cite web|url=http://www.progwereld.org/cms/104-porcupine-tree-%E2%80%98hoe-een-soloalbum-de-basis-legt-voor-de-beste-teamprestatie-ooit%E2%80%99/|title=#104 Porcupine Tree’s Steven Wilson: "˜Hoe een soloalbum de basis legt voor de beste teamprestatie ooit’|last=Krul|first=Govert|website=Progwereld.org|location=Amsterdam|language=de|accessdate=21 February 2017|quote=We kunnen hier winnen noch verliezen eigenlijk, maar deze band vormt samen met King Crimson toch wel de belangrijkste inspiratiebron. (We can win here or actually lose, but this band <nowiki>[</nowiki>[[Pink Floyd]]<nowiki>]</nowiki> together with King Crimson got to be the main source inspiration.)}}</ref> [[Primus (band)|Primus]],<ref>{{cite web|url=http://www.heavymusic.fr/index.php/interview/41-primus-les-claypool|title=Primus - Les Claypool|last=Reymond|first=Laurent|website=www.heavymusic.fr|language=fr|accessdate=4 March 2017|quote=''Q'': J’ai toujours pensé que « Elephant Talk » de King Crimson avait servi de base au style de Primus. Qu’en penses-tu ?{{break}}''Les Claypool'': Je ne sais pas si cette chanson en particulier nous a servi de base pour créer Primus, mais il est clair qu’à l’époque nous étions tous fans de cette incarnation de King Crimson et Tony Levin, Adrian Belew, Robert Fripp et Bill Bruford comptaient parmi nos plus grandes influences. Tony Levin encore plus d’ailleurs, car à mon sens il est le meilleur bassiste du monde et celui qui joue avec le plus de goût !{{break}}(''Q'': I always thought that King Crimson's "Elephant Talk" was the basis of Primus's style. What do you think ?{{break}}''[[Les Claypool]]'': I do not know if this particular song served as a basis for creating Primus, but it is clear that at the time we were all fans of this incarnation of King Crimson and Tony Levin, Adrian Belew, Robert Fripp and Bill Bruford were among our greatest influences. Tony Levin even more, because in my opinion he is the best bass player in the world and the one who plays with the most taste!)|publicationdate=19 September 2011}}</ref><ref>{{cite magazine|title=Say "Cheese"!|magazine=[[Kerrang!]]|quote=''Les Claypool'': I'd say the band is a lot more like King Crimson -- the latter version, with Tony Levin, who's one of my big heroes [...] I've always liked weird, abstract stuff. That's why I asked Larry to join the band and not some [[Joe Satriani]] clone. Not that I don't like that type of playing, but I'm big on people like Adrian Belew.|number=343|publicationdate=1 June 1991}}</ref> [[Mystery Jets]],<ref>{{cite web|url=http://www.themetropolist.com/music/interviews/interview-mystery-jets/|title=INTERVIEW: Mystery Jets|last=Carter|first=Hana|date=20 March 2016|website=TheMetropolist.com|accessdate=25 February 2017|quote=''Q'': Which artists do you take inspiration from?{{break}}''[[Blaine Harrison]]'': Pink Floyd and King Crimson are major influences.}}</ref><ref>{{cite web|url=http://www.killermagazine.nl/post/136261177454/interview-mystery-jets-english-version|title=Interview: Mystery Jets (English version)|last=Maassen|first=Marjolein|website=KillerMagazine.nl|accessdate=25 February 2017|quote=Over the years there have been many bands and artists who have formed what we do, whether that’s King Crimson [...]}}</ref> [[Fanfarlo]],<ref>{{cite web|url=http://www.aheartisaspade.com/2014/02/13/a-heart-is-a-spade-interview-fanfarlo/|title=A Heart Is A Spade Interview: Fanfarlo|author=Matt|date=13 February 2014|website=www.aheartisaspade.com|archive-url=https://web.archive.org/web/20170305034918/http://www.aheartisaspade.com/2014/02/13/a-heart-is-a-spade-interview-fanfarlo/|archive-date=5 March 2017|dead-url=yes|accessdate=4 March 2017|quote=There’s a whole raft of other stuff that we’ve been drawing inspiration from though, for instance we were listening a lot to progressive and [[space rock]] while making the record, like King Crimson [...]|df=dmy-all}}</ref> and [[Anekdoten]], who first practised together playing King Crimson songs.<ref>{{cite web|url=http://ghostland.com/ghostland/interviews.asp?ID=5|title=Anekdoten - "One of Sweden's brightest exports discusses the band's work and future"|last=Nicholas|first=Steve|date=January 2001|website=Ghostland.com|archiveurl=https://web.archive.org/web/20030225181747/http://ghostland.com/ghostland/interviews.asp?ID=5|archivedate=25 February 2003|deadurl=yes|accessdate=21 February 2017|quote=When Nicklas, Peter and I started playing together in the middle of 1990 we played covers. The first song that we started rehearsing was "Larks' Tongues in Aspic, Part 2," the second was "Lament" and I believe that the third one was "Red." We wanted to see if we could pull off playing Crimso-songs, primarily from the Wetton-era, as this was our main source for inspiration at the time.}}</ref> [[Steven Wilson]], the leader of Porcupine Tree, was responsible for remixing King Crimson's back catalogue in surround sound and said that the process had an enormous influence on his solo albums.<ref>{{cite web|url=http://teamrock.com/feature/2016-09-26/steven-wilson-i-cant-emphasise-how-much-i-learned-working-with-king-crimsom|title=Steven Wilson: I Can't Emphasise How Much I Learned Working With King Crimson|last=Moon|first=Grant|date=October 2011|publisher=TeamRock|publication-date=26 September 2016|accessdate=20 February 2017|magazine=[[Prog (magazine)|Prog]]|issue=20}}</ref> In November 2012 [[the Flaming Lips]] in collaboration with [[Stardeath and White Dwarfs]] released a track-by-track reinterpretation of ''In the Court of the Crimson King'' entitled ''[[Playing Hide and Seek with the Ghosts of Dawn]]''.<ref>{{cite web|url=https://www.rollingstone.com/music/news/flaming-lips-release-remake-of-king-crimson-album-20121113|title=Flaming Lips Release Remake of King Crimson Album|date=13 November 2012|accessdate=25 February 2017|magazine=[[Rolling Stone]]}}</ref> [[Colin Newman]], of [[Wire (band)|Wire]], said he saw King Crimson perform many times, and that they influenced him deeply.<ref>{{cite web|url=http://pitchfork.com/features/5-10-15-20/10015-wires-colin-newman-on-the-music-that-made-him/|title=Wire’s Colin Newman on the Music That Made Him|last=Ham|first=Robert|date=31 January 2017|website=[[Pitchfork (website)|Pitchfork]]|accessdate=27 February 2017|quote=In the period before I was living in London, I saw King Crimson more than any other band, and they had the biggest effect on me. They were so serious. “21st Century Schizoid Man” is just get it out, put it on the table, and deal with that. The combination of heaviness, technical brilliance, and sheer bonkers arrangements was unbelievable. You don’t know whether to be petrified or burst out laughing.}}</ref> The seminal [[hardcore punk]] group [[Black Flag (band)|Black Flag]] acknowledge Wetton-era King Crimson as an influence on their experimental period in the mid-1980s.<ref>{{cite web|url=http://www.heavymetalbebop.com/post/41782901627/9-greg-ginn|title=#9: GREG GINN|last=Shteamer|first=Hank|date=July 2012|website=Heavymetalbebop.com|location=Manhattan, New York City|archiveurl=https://archive.today/20171124014716/http://www.heavymetalbebop.com/post/41782901627/9-greg-ginn|archivedate=24 November 2017|deadurl=no|accessdate=9 December 2017|df=dmy-all}}</ref> [[Melvin Gibbs]] said that the [[Rollins Band]] was influenced most by King Crimson, using similar chords.<ref>{{cite web|url=http://www.invisibleoranges.com/heavy-metal-be-bop-4-interview-with-melvin-gibbs/|title=Heavy Metal Be-Bop #4: Interview with Melvin Gibbs|last=Shteamer|first=Hank|date=April 2011|website=InvisibleOranges.com|location=Brooklyn|publication-date=24 June 2011|accessdate=23 February 2017|quote=''[[Melvin Gibbs]]'': [...] And like I said, with Rollins Band, King Crimson was a big part of it. You could almost pick out riffs sometimes.}}</ref><ref>{{cite web|url=http://thisisfubarproductions.tumblr.com/post/28902870115/interview-041-chris-haskett-rollins-band|title=INTERVIEW. 041 - Chris Haskett (Rollins Band)|website=Thisisfubarproductions.tumblr.com|accessdate=23 February 2017|quote=''[[Chris Haskett]]'': [...] the biggest ones that influenced the playing I did in the Rollins Band would have to be the “''Red''/''Starless & Bible Black''/''Lark’s Tongue”''-era King Crimson work of Fripp [...]}}</ref> [[Bad Religion]] cites the lyrics of "21st Century Schizoid Man" on their single "[[21st Century (Digital Boy)]]" and the name of their record label, [[Epitaph Records|Epitaph]] (founded by their guitarist [[Brett Gurewitz]]), comes from [[Epitaph (song)|the song of the same name]] of Crimson's debut album.<ref>{{cite web|url=http://www.pias.com/blog/fitting-epitaph-brett-gurewitz-punk-rock-independence-making-big/|title=A fitting Epitaph: Brett Gurewitz on punk rock, independence and making it big|last=Gates|first=Kenny|date=30 November 2015|website=Pias.com|accessdate=23 February 2017}}</ref>
King Crimson have frequently been cited as pioneers of [[progressive metal]]{{citation needed|date=July 2016}} and as an influence on bands of this genre, including [[Mastodon (band)|Mastodon]],<ref>{{cite web|url=http://www.lucemfero.com/mastodon112008.php|title=Quintessence - Mastodon vocalist / bassist Troy Sanders spills the worms regarding fourth studio album Crack the Skye|last=Morgan|first=Anthony|date=2 November 2008|website=LucemFero.com|location=Cardiff, United Kingdom|archive-url=https://web.archive.org/web/20110501180423/http://www.lucemfero.com/mastodon112008.php|archive-date=1 May 2011|dead-url=yes|accessdate=20 February 2017|quote=''[[Troy Sanders]]'': [...] As far as Prog Rock goes, we all love King Crimson. Roughly ten years ago, our guitarist [[Brent Hinds|Brent]] introduced me to King Crimson. I've fallen in love with the group, and listen to their material all the time.|df=dmy-all}}</ref><ref>{{cite web|url=http://www.spiritribe.com/Evetribepages/Interview/EnglishVersion/MastodonIntwUSA.htm|title=Mastodon Interview|author=Alexis|date=3 March 2005|location=Nantes, France|accessdate=20 February 2017|quote=''[[Brann Dailor]]'': We are influenced by lots of different things, kinds of music, life experiences. Our common ground musically is Neurosis and [[Melvins]] and [[Thin Lizzy]], but there's lots of stuff, old thrash, 70 prog rock, King Crimson [...]}}</ref> [[Between the Buried and Me]],<ref>{{cite web|url=http://echoesanddust.com/2015/07/interview-dan-briggs-from-between-the-buried-and-me/|title=(((O))) : Interview: Dan Briggs from Between the Buried and Me|last=Westland|first=Raymond|date=July 2015|website=EchoesAndDust.com|accessdate=21 February 2017|quote=''Q'': Now you mention it, there are some fairly strong King Crimson and Yes references to be found.{{break}}''[[Dan Briggs (musician)|Dan Briggs]]'': Yes, that’s exactly what I mean. These influences are a part of our music since the ''[[Alaska (Between the Buried and Me album)|Alaska]]'' days, a good ten years ago. King Crimson is a particular big influence. We actually covered ‘Three Of A Perfect Pair’ in 2006. It’s always been there really, but it seems to become more dominant lately. It’s fun because it’s a big part of our musical makeup and it’s still relevant to us who we are as musicians at this point in our career.}}</ref><ref>{{cite web|url=http://www.toiletovhell.com/farts-and-aging-an-interview-with-between-the-buried-and-me/|title=Farts and Aging: an Interview with Between The Buried And Me|last=Bacon|first=Matt|website=Toiletovhell.com|archiveurl=https://web.archive.org/web/20151224200053/http://www.toiletovhell.com/farts-and-aging-an-interview-with-between-the-buried-and-me/|archivedate=24 December 2015|deadurl=no|accessdate=9 December 2017|quote=''[[Blake Richardson (drummer)|Blake Richardson]]'': King Crimson [is an influence,] of course. Maybe not so much musically but rhythmically there is a lot of stuff I try to emulate that they do.|publicationdate=22 December 2015}}</ref> [[Leprous]],<ref>{{cite web|url=http://studiorock.ro/interviews/leprous-prog-metal-revelation-from-norway-1/|title=Leprous, prog metal revelation from Norway|last=Chirulescu|first=Andrea|date=3 April 2010|website=StudioRock.ro|location=Oslo, Norway|publication-date=7 April 2010|accessdate=21 February 2017}}</ref><ref>{{cite web|url=http://metromontage.com/blog/2015/05/29/interview-20-minutes-with-einar-solberg/|title=Interview: 20 Minutes With Einar Solberg|last=Washington|first=Anthony|website=metromontage.com|archiveurl=https://web.archive.org/web/20160131174454/http://metromontage.com/blog/2015/05/29/interview-20-minutes-with-einar-solberg/|archivedate=31 January 2016|deadurl=no|accessdate=9 December 2017|publicationdate=29 May 2015}}</ref> [[Haken (band)|Haken]],<ref>{{cite web|url=https://theprogmind.com/2016/04/14/an-interview-with-ross-jennings/|title=An Interview with Ross Jennings|date=14 April 2014|website=TheProgMind.com|accessdate=21 February 2017|quote=[...] the 80s King Crimson records (''Discipline'', ''Beat'' & ''Three of a perfect Pair'') were also a reference point for us.}}</ref> [[The Ocean (band)|the Ocean]],<ref>{{cite web|url=http://www.theaquarian.com/2013/07/31/an-interview-with-the-ocean-permanence/|title=An Interview with The Ocean: Permanence|last=Magnotta|first=Andrew|date=31 July 2013|accessdate=7 March 2017|quote=''Robin Staps'': Crimson has always been an influence for me since I started this band at the turn of the millennium. [...]|newspaper=The Aquarian}}</ref> [[Caligula's Horse (band)|Caligula's Horse]],<ref>{{cite web|url=http://rockzeit.dk/interview-caligulas-horse/|title=Interview med Caligula’s Horse|author1=Morten Okkerholm|author2=Robert Bergstein Larsen|date=29 October 2015|website=www.rockzeit.dk|location=Copenhagen, Denmark|accessdate=27 February 2017|publicationdate=6 November 2015}}</ref> [[Last Chance to Reason]],<ref>{{cite web|url=http://www.dermetalkrieger.com/interviews/interview-with-michael-lessard-of-last-chance-to-reason/|title=Interview with Michael Lessard of Last Chance to Reason|last=Cavaliere|first=Gabe|website=Dermetalkrieger.com|accessdate=25 February 2017|quote=''Q'': Your new album, ''[[Level 2 (Last Chance to Reason album)|Level 2]]'', was such an incredible album. What bands helped to influence this album and how did they do that?{{break}}''Michael Lessard'': King Crimson was a big influence. The way they're constantly evolving and pushing the limits rhythmically and harmonically with their music is really something else. They manage to be so abstract, yet digestible.|publicationdate=29 May 2012}}</ref> and [[Indukti]].<ref>{{cite web|url=http://www.powerofmetal.dk/interviews/indukti.htm|title=Indukti Interview|date=26 February 2006|website=www.powerofmetal.dk|accessdate=24 March 2017}}</ref> Members of metal bands [[Mudvayne]],<ref>{{cite news|url=http://www.collegian.psu.edu/arts_and_entertainment/article_cfc730da-f618-5a86-a65f-af9ab943af4d.html?mode=jqm|title=Mudvayne brings 'tongue-in-cheek' sensibility to BJC show|last=Sheaffer|first=Caleb|date=9 April 2003|newspaper=[[The Daily Collegian]]|accessdate=4 March 2017|quote=Inspiration for Mudvayne came from bands such as [[Emperor (band)|Emperor]], King Crimson and Porcupine Tree, [[Matthew McDonough|McDonough]] said.}}</ref> [[Voivod (band)|Voivod]],<ref>{{cite web|url=http://www.westword.com/music/voivod-brought-its-prog-rock-inspired-metal-to-denver-6578482|title=Voivod Brought its Prog-Rock-Inspired Metal to Denver|last=Murphy|first=Tom|date=26 February 2015|accessdate=8 March 2017|newspaper=[[Westword]]}}</ref> [[Enslaved (band)|Enslaved]],<ref>{{cite web|url=http://www.metalsucks.net/2008/11/04/enslaveds-gruttle-kjellson-the-metalsucks-interview/|title=ENSLAVED’S GRUTTLE KJELLSON: THE METALSUCKS INTERVIEW|last=O'Hagar|first=Sammy|date=4 November 2008|website=[[MetalSucks]]|access-date=8 March 2017}}</ref><ref>{{cite web|url=http://metalist.co.il/InterviewPrivate.asp?id=569&lang=eng|title=Enslaved Interview|author=Benek|website=metalist.co.il|archiveurl=https://archive.today/20170821190459/http://metalist.co.il/InterviewPrivate.asp?id=569&lang=eng|archivedate=21 August 2017|deadurl=no|accessdate=9 December 2017|df=dmy-all}}</ref> [[Yob (band)|Yob]],<ref>{{cite web|url=http://www.heavyblogisheavy.com/2015/02/20/mike-scheidt-of-yob-the-heavy-blog-is-heavy-interview/|title=Mike Scheidt of Yob: The Heavy Blog Is Heavy Interview|last=Brown|first=Kit|date=18 February 2015|accessdate=4 March 2017|quote=''[[Mike Scheidt]]'': [...] I wouldn’t say that we’re a progressive rock band, but we do have some of those elements, and King Crimson is definitely a big influence on us.|publicationdate=20 February 2015}}</ref> [[Pyrrhon (band)|Pyrrhon]],<ref>{{cite web|url=http://www.cvltnation.com/sxsw-2014-artist-artist-interviews-nothing-vs-pyrrhon/|title=Sxsw 2014 {{!}} Artist to Artist Interviews {{!}} Nothing Vs. Pyrrhon|last=Palermo|first=Domenic|authorlink=Nothing (band)|website=www.cvltnation.com|location=Austin, Texas, U.S.|accessdate=14 April 2017|quote=''Doug Moore'': [...] We also draw on jazz and ‘70s prog a fair amount, especially for the improvisational side of our sound. [[Mahavishnu Orchestra]] and King Crimson are consensus favorites of ours. [...]|publicationdate=10 March 2014}}</ref> and [[Pallbearer (band)|Pallbearer]]<ref>{{cite web|url=http://www.cvltnation.com/cvlt-nation-interviews-pallbearer/|title=CVLT Nation Interviews Pallbearer + Tour Dates|last=A.|first=Mattia|website=www.cvltnation.com|accessdate=7 March 2017|quote=''Q'': Who would you say are Pallbearer’s biggest influences?{{break}}''Joseph D. Rowland'': [[Black Sabbath]], Pink Floyd, [[Robin Trower]], King Crimson [...]|publicationdate=15 May 2015}}</ref> have cited King Crimson as an influence. Heavy experimental and avant-garde acts like [[the Dillinger Escape Plan]],<ref>{{cite web|url=http://www.rocking.gr/interviews/The-Dillinger-Escape-Plan-interview/18163|title=The Dillinger Escape Plan interview|last=Tsimplakos|first=Jason|date=5 November 2013|website=Rocking.gr|location=Glasgow, Scotland|publication-date=25 November 2013|accessdate=23 February 2017}}</ref> [[Neurosis (band)|Neurosis]],<ref>{{cite web|url=http://www.ram.org/music/articles/neurosisinterview.html|title=Q&A with Scott Kelly of Neurosis|last=Samudrala|first=Ram|date=17 October 2000|website=www.ram.org|accessdate=26 February 2017}}</ref> [[Zeni Geva]],<ref>{{cite web|url=http://japanvibe.net/zeni-geva-interview-2015-05/|title=Zeni Geva interview (2015.05)|last1=Frank|first1=Oliver|last2=Kollár|first2=Bálint|date=May 2015|website=japanvibe.net|accessdate=4 March 2017|quote=''Q'': Zeni Geva’s sound is quite unique, so I wonder what were your main musical inspirations when you started the band?{{break}}''[[KK. Null]]'': Swans, Slayer, [[Art Bears]], King Crimson, etc|publicationdate=1 July 2016}}</ref> [[Ancestors (band)|Ancestors]],<ref>{{cite web|url=http://ancestorsmusic.com/press/features/heavy-metal-time-machine-ancestors-interview|title=Heavy Metal Time Machine – Ancestors interview|website=ancestorsmusic.com|archive-url=https://web.archive.org/web/20130502015238/http://ancestorsmusic.com/press/features/heavy-metal-time-machine-ancestors-interview|archive-date=2 May 2013|dead-url=yes|accessdate=7 March 2017|quote=''Q'': Who are your musical influences?{{break}}''Justin Maranga'': Our influences are pretty diverse, but some are definitely more prevalent than others. I’d say that Pink Floyd and King Crimson are probably our biggest influences. [...]|publicationdate=28 July 2008|df=dmy-all}}</ref> and [[Oranssi Pazuzu]]<ref>{{cite web|url=http://www.cvltnation.com/cvlt-nation-interviews-oranssi-pazuzu/|title=CVLT Nation Interviews: Oranssi Pazuzu|author=Spyros|website=www.cvltnation.com|archiveurl=https://web.archive.org/web/20141025074430/http://www.cvltnation.com/cvlt-nation-interviews-oranssi-pazuzu/|archivedate=25 October 2014|deadurl=yes|accessdate=7 March 2017|publicationdate=12 September 2013}}</ref> all cite King Crimson's influence.
Other artists affected by King Crimson include [[noise music]] artist Masami Akita of [[Merzbow]],<ref>{{cite web|url=http://www.15questions.net/interview/fifteen-questions-merzbow/page-1/|title=Fifteen Questions with MERZBOW - Lost and found|website=www.15questions.net|accessdate=27 February 2017|quote=[...] We were profoundly affected by King Crimson's ''Earthbound''}}</ref> jazz guitarist [[Dennis Rea]] of [[Land (band)|Land]],<ref>{{cite web|url=https://www.dennisrea.com/expose.html|title=Dennis Rea interview in Exposé magazine|last=Melton|first=Jeff|date=December 2001|website=www.dennisrea.com|accessdate=8 March 2017}}</ref> [[folktronica]] exponent [[Juana Molina]],<ref>{{cite web|url=http://www.mondosonoro.com/entrevistas/elixir-de-la-eterna-juventud/|title=JUANA MOLINA - Elixir de la eterna juventud|last=Rosal Garaizabal|first=Borja|language=es|accessdate=8 March 2017|publicationdate=28 October 2008|magazine=www.mondosonoro.com}}</ref> hip hop producer [[RJD2]],<ref>{{cite web|url=http://www.okayplayer.com/interviews/rjd2-gives-you-his-third-hand-200703065619.html|title=RJD2 Gives You His Third Hand|last=Kantrowitz|first=Sean|website=[[Okayplayer]]|archive-url=https://web.archive.org/web/20111027223703/http://www.okayplayer.com/interviews/rjd2-gives-you-his-third-hand-200703065619.html|archivedate=27 October 2011|deadurl=no|accessdate=13 March 2017|publicationdate=6 March 2007}}</ref> hip hop and soul composer [[Adrian Younge]],<ref>{{cite web|url=https://noisey.vice.com/en_us/article/adrian-younge-interview|title=Adrian Younge Is Timeless|website=noisey.vice.com|publisher=''[[Vice (magazine)|Vice]]''|accessdate=12 March 2017|quote=''Q'': Do you think you'll ever leave that soul music chamber?{{break}}''Adrian Younge'': Never! Oddly enough, I plan to commence work on more psychedelic rock records; however, the psychedelic rock I'm inspired by has a lot of soul like King Crimson, [[Iron Butterfly]], [[Bo Hansson]], etc.|publicationdate=15 October 2013}}</ref> film director [[Hal Hartley]],<ref>{{cite web|url=http://filmmakermagazine.com/archives/issues/fall1992/simple_laws.php#.WMXWC39tjKE|title=The simple laws of filmmaking|last=Schamus|first=James|authorlink=James Schamus|accessdate=12 March 2017|quote=''Hal Hartley'': I made a list of all the influences I could remember from the time I was 18 to the present. Here it goes: Robert Fripp and King Crimson [...]|magazine=[[Filmmaker (magazine)|Filmmaker]]|publicationdate=Fall 1992}}</ref> and folk-pop singer [[Ian Kelly (songwriter)|Ian Kelly]].<ref>{{cite web|url=http://canadianbeats.ca/2015/07/15/interview-ian-kelly/|title=Interview – Ian Kelly|last=Fioraso|first=Remington|date=15 July 2015|website=canadianbeats.ca|accessdate=13 March 2017}}</ref>
{{main|List of King Crimson members}}
'''CurrentSadašnja memberspostava'''
* [[Robert Fripp|Robert Frip]] ––gitara guitar, keyboardsklavijature , mellotronmelotron , electronicselektronika {{small|(1969–1974, 1981–1984, 1994–2004, 2007–2008, 2013–present2013–sada)}}
* [[Mel Collins|Mel Kolins]] – saxophonessaksofoni , fluteflauta , bassbas flauta flute, mellotronmelotron , backingprateći vocalsvokal {{small|(1970–1972, 2013–present2013–sada)}}
* [[Tony Levin|Toni Levin]] – bassbas , Chapmančapmen štap stick, synthesiserssintisajzeri , backingprateći vocalsvokal {{small|(1981–1984, 1994–1998, 2003–2004, 2007–2008, 2013–present2013–sada)}}
* [[Pat Mastelotto|Pet Masteloto]] ––bubanj drums, percussionperkusija , programmingprogramiranje {{small|(1994–2004, 2007–2008, 2013–present2013–sada)}}
* [[Gavin Harrison|Gavin Harison]] – drumsbubanj , percussionperkusija {{small|(2007–2008, 2013–present2013–sada)}}
* [[Jakko Jakszyk|Jako Jakžik]] – leadglavni vokal vocals, guitargitara , fluteflauta , keyboardsklavijature {{small|(2013–present2013–sada)}}
* [[Bill Rieflin|Bil Riflin]] – keyboardsklavijatura , synthesiserssintisajzeri , mellotronmelotron {{small|(2013–present2013–sada)}}; drums {{small|(2013–2016)}} ''(currently not touring)''
* [[Jeremy Stacey|Jeremi Stejsi]] – drumsbubanj , keyboardsklavijature {{small|(2016–present2016–sada)}}
== DiscographyDiskografija ==
{{Main article|King Crimson discography}}
'''Studio albumsalbumi'''
* ''[[In the Court of the Crimson King]]'' (1969)
* ''[[The Power to Believe]]'' (2003)
== NotesBeleške ==
{{Reflist}}
== ReferencesReference ==
* <cite id="refBuckley2003">{{Cite book|title=The Rough Guide to Rock|last=Buckley|first=Peter|publisher=Rough Guides|year=2003|isbn=1-85828-201-2|location=London}}</cite>
== ExternalSpoljni linkslinkovi ==
{{Commons category}}
|
