Stilistika je lingvistička nauka koja proučava pravila i svojstva dobrog jezičkog i književnog stila,[1] retoričke figure i modele sintakse, koji su specifični za različite grupe, kontekste, a posebno književne žanrove.

Kao disciplina, stilistika povezuje književnu kritiku sa lingvistikom. Ona ne funkcioniše kao autonomna oblast sama po sebi, i može se primeniti na razumevanje književnosti i novinarstva, kao i lingvistike.[2][3][4] Izvori za proučavanje stilistike mogu se kretati od kanonskih pisanih dela do popularnih tekstova, od reklamnih kopija do vesti,[5] nefikcije i popularne kulture, kao i političkog i verskog diskursa.[6] Zaista, kako je nedavni rad u oblasti kritičke stilistike,[7] multimodalne stilistike[8] i posredovane stilistike[9] jasno pokazao, neknjiževni tekstovi mogu biti podjednako interesantni stilističarima kao i književni. Drugim rečima, književnost je ovde zamišljena kao „tačka na klini, a ne kao apsolut“.[10][11]

Rani dvadeseti vek уреди

Analiza književnog stila seže do proučavanja klasične retorike, iako moderna stilistika ima svoje korene u ruskom formalizmu[12] i povezanoj Praškoj školi ranog dvadesetog veka.

Godine 1909, Čarls Bali je predložio stilistiku kao posebnu akademsku disciplinu koja bi dopunila sosirovsku lingvistiku. Za Balija, Sosirova lingvistika sama po sebi nije mogla u potpunosti da opiše jezik ličnog izražavanja.[13] Balijev program se dobro uklapa u ciljeve Praške škole.[14]

Prateći ideje ruskih formalista, Praška škola je izgradila koncept prvog plana, gde se pretpostavlja da se pesnički jezik izdvaja od neknjiževnog pozadinskog jezika, putem odstupanja (od normi svakodnevnog jezika) ili paralelizam.[15] Međutim, prema Praškoj školi, ovaj pozadinski jezik nije stalan, te se odnos između poetskog i svakodnevnog jezika stoga uvek menja.[16]

Kasni dvadeseti vek уреди

Roman Jakobson[17][18] je bio aktivan član ruskih formalista i Praške škole, pre nego što je emigrirao u Ameriku tokom 1940-ih. On je spojio ruski formalizam i američku novu kritiku[19][20][21][22] u svojoj završnoj reči na konferenciji o stilistici na Univerzitetu Indijana 1958. godine.[23] U delu Lingvistika i poetika iz 1960. godine, Jakobsonovom predavanju se često pridaju zasluge za prvu koherentnu formulaciju stilistike. Njegov argument je bio da proučavanje poetskog jezika treba da bude podgrana lingvistike.[24] Pesnička funkcija je bila jedna od šest opštih funkcija jezika koje je opisao u predavanju.[25][26]

Majkl Halidej[27][28][29][30][31] je važna figura u razvoju britanske stilistike.[32] Njegova studija Jezička funkcija i književni stil: Istraživanje jezika Vilijam Goldingovih Naslednika je ključni esej iz 1971. godine.[33] Jedan od Halidejevih doprinosa bila je upotreba termina registar da bi se objasnile veze između jezika i njegovog konteksta.[34] Halidejov registar se razlikuje od dijalekta. Dijalekt se odnosi na uobičajeni jezik određenog korisnika u određenom geografskom ili društvenom kontekstu. Registar opisuje izbore koje je napravio korisnik,[35] izbore koji zavise od tri promenljive: polja („u kome su učesnici ... zapravo angažovani“, na primer, diskutuju o određenoj temi ili subjektu),[36] tenor (koji učestvuje u razmeni) i mod (upotreba za koju se jezik koristi).

Reference уреди

  1. ^ Клајн & Шипка 2006, стр. 1175
  2. ^ Widdowson, H.G. 1975. Stylistics and the teaching of literature. Longman: London. ISBN 0-582-55076-9
  3. ^ Simpson, Paul. 2004. Stylistics : A resource book for students. Routledge p. 2: "Stylistics is a method of textual interpretation in which primacy of place is assigned to language".
  4. ^ Attenborough, F. (2014). "Rape is rape (except when it's not): the media, recontextualisation and violence against women Архивирано на сајту Wayback Machine (5. мај 2020)". Journal of Language Aggression and Conflict. 2(2): 183-203.
  5. ^ Davies, M. (2007) The attraction of opposites: the ideological function of conventional and created oppositions in the construction of in-groups and out-groups in news texts, in L. Jeffries, D. McIntyre, D. Bousfield (eds.) Stylistics and Social Cognition. Amsterdam: Rodopi.
  6. ^ Simpson, Paul. 2004. Stylistics: A resource book for students. Routledge p. 3: "The preferred object of study in stylistics is literature, whether that be institutionally sanctioned 'literature' as high art or more popular 'non-canonical' forms of writing.".
  7. ^ Jeffries, L. (2010) Critical Stylistics. Basingstoke: Palgrave.
  8. ^ Montoro, R. (2006) Analysting literature through films, in G. Watson, S. Zyngier (eds.) Literature and Stylistics for Language Learners: Theory and Practice. Basingstoke: Palgrave, pp. 48-59.
  9. ^ Attenborough, F. (2014) Jokes, pranks, blondes and banter: recontextualising sexism in the British print press, Journal of Gender Studies, 23(2): 137-154.
  10. ^ Jeffries, L., McIntyre, D. (2010) Stylistics. Cambridge: Cambridge University Press, p. 2.
  11. ^ Carter, R., Nash, W. (1990) Seeing through Language: a guide to styles of English writing. Oxford: Blackwell.
  12. ^ Lesley Jeffries, Daniel McIntyre, Stylistics, Cambridge University Press, 2010, p 1. ISBN 0-521-72869-X
  13. ^ , Talbot J. Taylor, Mutual Misunderstanding: Scepticism and the Theorizing of Language and Interpretation, Duke University Press, 1992, p 91. ISBN 0-8223-1249-2
  14. ^ Ulrich Ammon, Status and Function of Languages and Language Varieties, Walter de Gruyter, 1989, p 518. ISBN 0-89925-356-3
  15. ^ Katie Wales, A Dictionary of Stylistics, Pearson Education, 2001, p 315. ISBN 0-582-31737-1
  16. ^ Rob Pope, The English Studies Book: an Introduction to Language, Literature and Culture, Routledge, 2002, p 88. ISBN 0-415-25710-7
  17. ^ Kučera, Henry (1983). „Roman Jakobson”. Language. 59 (4): 871—883. JSTOR 413375. 
  18. ^ „Roman Jakobson”. Encyclopædia Britannica. Архивирано из оригинала 8. 3. 2023. г. 
  19. ^ Lynn, Steven. Texts and Contexts: Writing about Literature with Critical Theory. Addison-Wesley, 2001.
  20. ^ Dubrow, Heather. "Twentieth Century Shakespeare Criticism." The Riverside Shakespeare 2nd ed. Houghton Mifflin, 1997: 35.
  21. ^ Wellek, René (1978). „The New Criticism: Pro and Contra”. Critical Inquiry. 4 (4): 611—624. JSTOR 1342947. S2CID 170150136. doi:10.1086/447958. 
  22. ^ Jancovich, Mark (1993). The Cultural Politics of the New Criticism. Cambridge: Cambridge University Press. ISBN 0-521-41652-3. 
  23. ^ Richard Bradford, A Linguistic History of English Poetry, Routledge, 1993, p 8. ISBN 0-415-07057-0
  24. ^ Nikolas Coupland, Style: Language Variation and Identity, Cambridge University Press, 2007, p 10. ISBN 0-521-85303-6
  25. ^ Middleton, Richard (1. 4. 1990). Studying Popular Music. Philadelphia, UK: McGraw-Hill Education. стр. 241. ISBN 0-335-15275-9. 
  26. ^ Waugh, Linda R. (1980). „The Poetic Function in the Theory of Roman Jakobson”. Poetics Today. Duke University Press. 2 (1): 57—82. JSTOR 1772352. doi:10.2307/1772352. 
  27. ^ Halliday, M.A.K. 2002. On Grammar, Vol. 1 in The Collected Works of M.A.K. Halliday. London: Continuum.
  28. ^ Halliday, M.A.K. 1985. "Systemic Background". In Systemic Perspectives on Discourse, Vol. 1: Selected Theoretical Papers from the Ninth International Systemic Workshop, James D. Benson and William S. Greaves (eds). Ablex. Vol. 3 in The Collected Works, p. 192.
  29. ^ Halliday, 1985. "Systemic Background". In Systemic Perspectives on Discourse, Vol. 1: Selected Theoretical Papers from the Ninth International Systemic Workshop, Benson and Greaves (eds). Vol. 3 in The Collected Works, p. 193.
  30. ^ Halliday, 2002. "A Personal Perspective". In On Grammar, Vol. 1 in The Collected Works, pp. 7, 14.
  31. ^ Halliday, 2002. "A Personal Perspective". In On Grammar, Vol. 1 in The Collected Works, p. 6.
  32. ^ Raman Selden, The Cambridge History of Literary Criticism: From Formalism to Poststructuralism, Cambridge University Press, 1989, p83. ISBN 0-521-30013-4
  33. ^ Paul Simpson, Stylistics: a Resource Book for Students, Routledge, 2004, p75. ISBN 0-415-28104-0
  34. ^ Helen Leckie-Tarry, Language and Context: a Functional Linguistic Theory of Register, Continuum International Publishing Group, 1995, p6. ISBN 1-85567-272-3
  35. ^ Nikolas Coupland, Style: Language Variation and Identity, Cambridge University Press, 2007, p 12. ISBN 0-521-85303-6
  36. ^ Christopher S. Butler, Structure and Function: a Guide to Three Major Structural-Functional Theories, John Benjamins Publishing Company, 2003, p 373. ISBN 1-58811-361-2

Literatura уреди

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  • ed. David Birch. 1995. Context and Language: A Functional Linguistic Theory of Register (London, New York: Pinter)
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  • Richard Bradford. 1985. A Dictionary of Linguistics and Phonetics, 2nd edition (Oxford: Basil Blackwell)
  • Richard Bradford. 1997. Stylistics (London and New York: Routledge)
  • Richard Bradford. 1997. The Cambridge Encyclopedia of Language, 2nd edition (Cambridge: Cambridge University Press)
  • Roger Fowler. 1996. Linguistic Criticism, 2nd edition (Oxford: Oxford University Press)
  • William Downes. 1995. The Language of George Orwell (London: Macmillan Press)
  • William Downes. 1998. Language and Society, 2nd edition (Cambridge: Cambridge University Press)
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  • Brian Lamont. 2005. First Impressions (Edinburgh: Penbury Press)
  • ed. Jean Jacques Weber. 1996. The Stylistics Reader: From Roman Jakobson to the Present (London: Arnold Hodder)
  • ed. Thomas A. Sebeok. 1960. Style in Language (Cambridge, MA: MIT Press)
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  • MAK Halliday. 1964. Inside the Whale and Other Essays (London: Penguin Books)
  • MAK Halliday. 1978. Language as Social Semiotic: The Social Interpretation of Language and Meaning (London: Edward Arnold)
  • Michael Toolan. 1998. Language in Literature: An Introduction to Stylistics (London: Hodder Arnold)
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  • Davis, Garrick. Praising It New. Swallow, 2008. Anthology that includes some of the keys texts of the New Criticism.
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  • Duvall, John N. "Eliot's Modemism and Brook's New Criticism: poetic and religious thinking". The Mississippi Quarterly: 46 (1992): 23–38.
  • Graff Gerald. Professing Literature. Chicago and London: The University of Chicago Press, 1987.
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Spoljašnje veze уреди