Панк рок — разлика између измена

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'''Панк рок''' је({{јез-енгл|punk rock}}), или само '''панк''', [[рок музика|рок]] је [[музички правац]] који се супротставља устаљеним социјалним, политичким и економским принципима [[друштво|друштва]]. Појавио се у [[Сједињене Америчке Државе|Сједињеним Америчких Државама]] и [[Уједињено Краљевство|Уједињеном Краљевству]] око [[1974]]. и [[1975]]. године, а носиоцима овог [[žanr|жанра]] сматрају се бендови [[Рамонс]], [[Секс пистолси|Секс пистолс]], [[Демд]] и [[The Clash|Клеш]].
 
== Карактеристике ==
Панк бендови су често примењивали једноставнију структуру и [[аранжман]] музике, сличан оном који су свирали [[гаражни]] бендови шездесетих година 20. века. [[Енглеска|Енглески]] панк [[фанзин]] [[Сајдбурнс]] је објавио [[цртеже]] (који су касније репродуковани у [[Снифин Глу]]у), на којима су се налазила три [[акорд]]a, са [[подтекст]]oм: „Ово је акорд, ово је други акорд, а ово је трећи. Сада, направите бенд.” Највећи број панк [[песма|песама]] има структуру [[строфа]]-[[рефрен]] и четворочетвртински [[такт]]. Ова наглашена једноставност је одлично осликавала панк принцип ’[[уради сам]]’ ({{јез-енгл|Do It Yourself}}) и контрирала раскошном и разметљивом музицирању рок бендова који су били популарни до појаве панка. У почецима панк рока, на такво музичко умеће се увек гледало са подозрењем, а гитарска [[сола]] која су до тада била компликована, сматрана су непотребним. али су гитарске [[пауза|паузе]] биле врло честе, чак и у песмама раног панк рока.
 
Панк песме обично нису дуже од два и по минута, а некe трају и тридесет секунди. [[Темпо]] панк рока је доста бржи од рока. Типични панк инструменти су [[бубањ|бубњеви]], једна или две [[електрична гитара|електричне гитаре]], [[бас-гитара]] и [[певач|вокали]]. Бубњеви обично звуче суво и тешко, и најчешће имају само основни комплет ([[doboš|добош]], [[прелази]], котао и [[бас-бубањ]]), [[фуз]] и [[чинела|чинеле]]. Ритам бубњева је врло једноставан, са четвртинским ударом и не претерано технизираним басом односно добошем, док је у [[хардкор панк]]у бубањ секција изузетно увежбана и тактизирана. Бас је често једноставан и садржи се од главних [[note|нота]] акорда, али неки модерни бендови, као [[Ренсид]] или [[Anti-Flag|Анти-Флег]] стављају већи акценат на технику бас линије. Гитарска секција обично укључује високо [[Дисторзија музике|дисторзивне]] акорде, али неки беднови користе [[сурф-рок]] приступ са лакшим, ''[[тванглер]]'' акордима. [[Продукција]] је минимална, са песмама које су понекад снимљене на кућном [[касетофон]]у.
 
== Први панк бендови ==
Панк музика је била ’агресивна’, са текстовима који су нападали било какав ауторитет ([[Секс Пистолспистолси]] — ''God Save The Queen'') и потпуно другачија од остале музике. Док су у Енглеској [[Секс Пистолс]]пистолси ({{јез-енгл|Sex Pistols}}) правили бум, у [[Сједињене Америчке Државе|САД]] је панк ширио бенд [[Рамонс]] ({{јез-енгл|Ramones}}), иако је, додуше, у Америци панк био слабије прихваћен. До [[1980]]. године су се појавили разноразни панк бендови од којих су најпознатији [[The Clash|Клеш]], [[Демд]], [[БазкоксБазкокси]], [[РатсРатси]], [[Шем 69]], [[Џенерејшн екс]], [[The Stranglers|СтренглерсСтренглерси]], [[Крас (бенд)|Крас]], [[Мисфитс]] итд. Сваки од ових бендова свирао је панк музику, али на скоро сасвим другачији начин тако да је панк који свира [[Крас]] ({{јез-енгл|Crass}}) назван [[анархопанк]]ом; панк који свирају Мисфитс [[хорор панк]]ом; Демд готик панком, односно [[готик рок]]ом; [[Експлојтед]] [[хардкор панк]]ом, Шем 69, [[Кокни Риџектс]] и [[Анџелик Апстартс]] [[Oi! (muzika)|Ои!]] панком или стрит панком, [[Green Day|Грин деј]] и [[The Queers|Квирс]] [[поп- панк]]ом; а музика Клеша имала је утицај на [[ска панк]] бендове, међу којима су најпознатији [[ОперејшнОперејшон ајви]], [[Мајти Мајти Бостонс]], [[Ренсид]], [[Вуду глоу скалс]] и други.
 
На просторима бивше Југославије било je много панк рок бендова.
 
== Литература ==
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* St. Thomas, Kurt, with Troy Smith (2002). ''Nirvana: The Chosen Rejects'' (New York: St. Martin's). {{ISBN|0-312-20663-1}}.
* {{cite book|last=Taylor|first=Steven|year=2003|title=False Prophet: Field Notes from the Punk Underground|location=Middletown, Conn.|publisher=Wesleyan University Press|isbn=0-8195-6668-3|ref=harv}}
* {{cite book|last=Taylor|first=Steve|year=2004|title=The A to X of Alternative Music|location=London and New York|publisher=Continuum|isbn=0-8264-8217-1|ref=harv}}
* {{cite book|last=Thompson|first=Dave|year=2000|title=Alternative Rock|location=San Francisco|publisher=Miller Freeman|isbn=0-87930-607-6|ref=harv}}
* {{cite book|last=Unterberger|first=Richie|year=1998|title=Unknown Legends of Rock 'n' Roll: Psychedelic Unknowns, Mad Geniuses, Punk Pioneers, Lo-Fi Mavericks & More|location=San Francisco|publisher=Backbeat|isbn=0-87930-534-7|ref=harv}}
* {{cite book|last=Unterberger|first=Richie|year=1999|title=Music USA: The Rough Guide|location=London|publisher=Rough Guides|isbn=1-85828-421-X|ref=harv}}
* Unterberger, Richie (2002). "British Punk", in ''All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul'', III изд., ур. Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine (San Francisco: Backbeat). {{ISBN|0-87930-653-X}}.
* {{cite book|author-link1=Gary Lachman|last1=Valentine |first1=Gary |year=2006 |title=New York Rocker: My Life in the Blank Generation with Blondie, Iggy Pop, and Others, 1974–1981|location=New York|publisher=Thunder's Mouth|isbn=1-56025-944-2|ref=harv}}
* Walker, Clinton (1982/2004) ''Inner City Sound'' (Portland, Oregon: Verse Chorus Press) {{ISBN|1-891241-18-4}}.
* Walker, Clinton (1996) ''Stranded'' (Sydney: Macmillan) {{ISBN|0 7329 0883 3}}.
* Walker, John (1991). "Television", in ''The Trouser Press Record Guide'', IV изд., ур. Ira Robbins (New York: Collier), p. 662. {{ISBN|0-02-036361-3}}.
* Walsh, Gavin (2006). ''Punk on 45; Revolutions on Vinyl, 1976–79'' (London: Plexus). {{ISBN|0-85965-370-6}}.
* Weinstein, Deena (2000). ''Heavy Metal: The Music and Its Culture'' (New York: Da Capo). {{ISBN|0-306-80970-2}}.
* Wells, Steven (2004). ''Punk: Loud, Young & Snotty: The Story Behind the Songs'' (New York and London: Thunder's Mouth). {{ISBN|1-56025-573-0}}.
* Wilkerson, Mark Ian (2006). ''Amazing Journey: The Life of Pete Townshend'' (Louisville: Bad News Press). {{ISBN|1-4116-7700-5}}.
* Wojcik, Daniel (1995). ''Punk and Neo-Tribal Body Art'' (Jackson: University Press of Mississippi). {{ISBN|0-87805-735-8}}.
* Wojcik, Daniel (1997). ''The End of the World as We Know It: Faith, Fatalism, and Apocalypse in America'' (New York: New York University Press). {{ISBN|0-8147-9283-9}}.
{{refend}}
 
== Спољашње везе ==
{{Commonscat-inline|Punk rock}}
 
{{нормативна контрола}}