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1.572.075 измена
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Ред 3:
== Дефиниција ==
 
У резимеу научног истраживања о стваралаштву, Мајкл Мамфорд сугерише: „У току последње деценије, међутим, изгледа да смо постигли општи договор да креативност укључује производњу нових, корисних производа” (-{Mumford, 2003, p.&nbsp; 110}-),<ref>{{cite journal | last = Mumford | first = M. D. | year = 2003 | title = Where have we been, where are we going? Taking stock in creativity research | url = | journal = [[Creativity Research Journal]] | volume = 15 | issue = 2–3| pages = 107–120 | doi=10.1080/10400419.2003.9651403}}</ref> или, према речима [[Роберт Стернберг|Роберта Стернберга]], продукција „нечег оригиналног и вредног”<ref name="Sternberg Cognitive Psychology 2011">{{cite book|last=Sternberg|first=Robert J.|title=Cognitive Psychology|date=2011|publisher=Cengage Learning|isbn=978-1-133-38701-5|page=479|edition=6|chapter=Creativity}}</ref> Аутори су се драматично разишли у својим прецизним дефиницијама изван ових општих истоветности: Питер Меусбергер сматра да у литератури може бити пронађено преко сто различитих анализа.<ref name="Meusburger1">{{cite book|last=Meusburger|first=Peter|title=Milieus of Creativity: An Interdisciplinary Approach to Spatiality of Creativity|year=2009|publisher=Springer|isbn=978-1-4020-9876-5 |editor=Meusburger, P. |editor2=Funke, J. |editor3=Wunder, E.|chapter=Milieus of Creativity: The Role of Places, Environments and Spatial Contexts}}</ref> Илустрацијије ради, једна дефиниција коју је дао [[Ellis Paul Torrance|Е. Пол Торанс]] описала је креативност као „процес постајања осетљив на проблеме, недостатке, празнине у знању, недостајуће елементе, дисхармоније и тако даље; идентификовање потешкоће; трагања за решењима, прављеса претпоставки или формулисања хипотеза о недостацима: тестирање и поновно тестирање тих хипотеза и евентуално њихово модификовање и поновно тестирање; и на крају саопштавање резултата.”<ref name="Torrance Test Manual Verbal">{{cite book|last=Torrance|first=Paul|title=The Torrance Tests of Creative Thinking-Norms-Technical Manual Research Edition|publisher=Personnel Press|location=Princeton, New Jersey|page=6|chapter=Verbal Tests. Forms A and B-Figural Tests, Forms A and B.}}</ref>
 
Креативност се углавном разликује од [[иновација|иновације]], нарочито када је нагласак на примени. На пример, [[Teresa Amabile|Тереза Амабил]] и Прат (2016) креативност дефинишу као продукцију нових и корисних идеја а иновацију као примену креативних идеја,<ref>{{cite journal |last=Amabile |first=Teresa M. |last2=Pratt |first2=Michael G. |title=The dynamic componential model of creativity and innovation in organizations: Making progress, making meaning |journal=Research in Organizational Behavior |date=2016 |volume=36 |pages=157–183 |doi=10.1016/j.riob.2016.10.001}}</ref> док -{[[Организација за економску сарадњу и развој|OECD]]}- и -{[[Eurostat]]}- наводе да је „иновација више од нове идеје или проналаска. Иновација захтева имплементацију, били стављањем у активну употребу или стављањем на располагање другим странама, фирмама, појединцима или организацијама.”<ref>{{cite book |last=OECD/Eurostat |title=Oslo Manual 2018: Guidelines for Collecting, Reporting and Using Data on Innovation |date=2018 |publisher=OECD/Eurostat |location=Paris/Luxembourg |page=44 |edition=4th |url=https://www.oecd-ilibrary.org/science-and-technology/oslo-manual-2018_9789264304604-en}}</ref>
Ред 16:
{{Refbegin|30em}}
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Ред 31:
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Ред 55:
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Ред 69:
* Sullivan, Ceri and Graeme Harper, ed., ''The Creative Environment: Authors at Work'' (Cambridge: English Association/Boydell and Brewer, 2009)
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* Vandervert, L. (2003b). The neurophysiological basis of innovation. In L. V. Shavinina (Ed.) The international handbook on innovation (pp.&nbsp; 17–30). Oxford, England: Elsevier Science.
* {{cite journal | last = Vandervert | first = L | year = 2011 | title = The evolution of language: The cerebro-cerebellar blending of visual-spatial working memory with vocalizations | url = | journal = The Journal of Mind and Behavior | volume = 32 | issue = | pages = 317–334 }}
* Vandervert, L. (in press). How the blending of cerebellar internal models can explain the evolution of thought and language. Cerebellum.
Преузето из „https://sr.wikipedia.org/wiki/Стваралаштво”