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* {{wikicite|ref={{harvid|Roads|2001}}|reference=Roads, Curtis (2001). ''Microsound''. Cambridge, MA: MIT Press. {{ISBN|978-0-262-18215-7}}; {{ISBN|978-0-262-68154-4}}}}
* {{wikicite|ref={{harvid|Rothstein|1989}}|reference=Rothstein, William (1989). ''Phrase Rhythm in Tonal Music''. New York: Schirmer Books. {{ISBN|9780028721910}}.}}
* {{cite book |last=Sacks |first=Oliver |authorlink=Oliver Sacks |title=Musicophilia, Tales of Music and the Brain |url=https://archive.org/details/musicophiliatale2007sack |year=2007 |publisher=Alfred A. Knopf |location=New York and Toronto |isbn=978-1-4000-4081-0 |chapter=Keeping Time: Rhythm and Movement |ref=harv}}
* {{wikicite|ref={{harvid|Sandow|2004}}|reference=Sandow, Greg (2004). "A Fine Madness". In ''The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology'', edited by Arved Mark Ashby, 253–58. {{ISBN|1-58046-143-3}}. Reprinted from ''The Village Voice'' (16 March 1982).}}
* {{wikicite|ref={{harvid|Scholes|1977a}}|reference=[[Percy Scholes|Scholes, Percy]] (1977a). "Form", in ''The Oxford Companion to Music'', 6th corrected reprint of the 10th ed. (1970), revised and reset, edited by John Owen Ward. London and New York: Oxford University Press. {{ISBN|0-19-311306-6}}.}}
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