Бура (драма) — разлика између измена

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'''Бура''' је дело [[Вилијам Шекспир|Вилијама Шекспира]], за које се верује да је написано 1610-1611, а многи критичари мисле да је то задње дело које је Шекспир написао сам. Радња је смештена на удаљеном острву, где Просперо, законити војвода од Милана, планира да поврати његову ћерку Миранду на њено право место користећи се илузијама и вештом манипулацијом .Он ствара буру да би довео његовог брата Антонија и његовог саучесника Краља Алонса од Напуља на острво. Тамо, његове сплетке доводе до откривања Антонијеве “ниске природе”, кајања краља, и брака Миранде са Алонсовим сином, Фердинандом.
 
[[File:George Romney - William Shakespeare - The Tempest Act I, Scene 1.jpg|thumb|350px|Бродолом у чину И, сцени 1]]
''Бура'' се разликује од осталих Шекспирових драма у њеном посматрању строжег, више организованог [[Неокласицизам|неокласичног]] стила.Критичари виде ''Буру'' експлицитно забринути њеном природом као представом, често извлачећи линије између Просперове “уметности” и театричке илузије,а ранији критичари су видели Проспера као репреѕентацију Шекспира, а Просперово одрицање од магије као Шекспиров “последњи поздрав” бини.Драма описује Проспера као рационалног,и не окултног,чаробњака.Он је прдстављен као контраст Сицораскиːњена магија је описана као деструктивна и грозна док је Просперова магија чудесна и прелепа.
'''Бура''' је дело [[Вилијам Шекспир|Вилијама Шекспира]], за које се верује да је написано 1610-1611, а многи критичари мисле да је то задње дело које је Шекспир написао сам. Радња је смештена на удаљеном острву, где Просперо, законити војвода од Милана, планира да поврати његову ћерку Миранду на њено право место користећи се илузијама и вештом манипулацијом. Он ствара буру да би довео његовог брата Антонија и његовог саучесника Краља Алонса од [[Напуљ]]а на острво. Тамо, његове сплетке доводе до откривања Антонијеве “ниске природе”, кајања краља, и брака Миранде са Алонсовим сином, Фердинандом.
Почетком 1950–их,са публикацијом ''Психологије колонаѕације'' од Октавија Манонија,''Бура'' је виђена све више и више кроз сочива постколонистичке теорије.Због мало улога које жене играју у делу,''Бура'' није привукла много феминистичког критицизма.
 
''Бура'' се разликује од осталих Шекспирових драма у њеном посматрању строжег, више организованог [[Неокласицизам|неокласичног]] стила. Критичари виде ''Буру'' експлицитно забринути њеном природом као представом, често извлачећи линије између Просперове “уметности” и театричке илузије, а ранији критичари су видели Проспера као репреѕентацију Шекспира, а Просперово одрицање од магије као Шекспиров “последњи поздрав” бини. Драма описује Проспера као рационалног, и не окултног, чаробњака. Он је прдстављен као контраст Сицораскиːњена магија је описана као деструктивна и грозна док је Просперова магија чудесна и прелепа.
''Бура'' није привукла значајну количину пажње пре затварања у позориштима 1642,а тек стекла популарност после Рестурације Енглеске монархије,и само у прилагођеним верзијама.
 
Почетком [[1950e|1950–их]], са публикацијом ''Психологије колонаѕације'' од Октавија Манонија, ''Бура'' је виђена све више и више кроз сочива постколонистичке теорије. Због мало улога које жене играју у делу, ''Бура'' није привукла много феминистичког критицизма.
 
''Бура'' није привукла значајну количину пажње пре затварања у позориштима [[1642]], а тек стекла популарност после рестурације Енглеске монархије, и само у прилагођеним верзијама.
 
== Литература ==
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| issue = 105
| pages = 1–16
| doi = 10.1093/res/XXVII.105.1
| issn = 1471-6968
}}
* {{ citation | first1 = G. Wilson | last1 = Knight | title = Shakespearean Dimensions | publisher = Harvester | year = 1984 }}
* {{ citation | first1 = Keith | last1 = Sagar | title = The Crime Against Caliban | journal = Literature and the Crime Against Nature | location = London | publisher = Chaucer Press | year = 2005 }}
* {{ citation | first1 = Frances A. | last1 = Yates | title = Shakespeare's Last Plays: A New Approach | location = London | publisher = Routledge & Kegan Paul | year = 1975 }}
* {{ citation | first1 = Frances A. | last1 = Yates | title = The Occult Philosophy in the Elizabethan Age | location = London | publisher = Routledge & Kegan Paul | year = 1979 }}
* {{cite journal | title = Form and Disorder in The Tempest
| last = Zimbardo
| first = Rose Abdelnour
| year = 1963
| journal = Shakespeare Quarterly
| publisher = Folger Shakespeare Library
| volume = 14
| issue = 1
| pages = 49–56
| doi = 10.2307/2868137
| issn = 00373222 | jstor = 2868137
}}
}-{{refend}}
 
== Спољашње везе ==
* [http://www.shakespeare-navigators.com/tempest/ -{''The Tempest'' Navigator}-]
* [http://records.viu.ca/~johnstoi/eng366/lectures/tempest.htm -{Introductory Lecture on The Tempest}-]
* [http://webenglishteacher.com/tempest.html -{Lesson plans for The Tempest] at Web English Teacher}-
* [http://www.virtualjamestown.org/TR%20original.doc -{William Strachey's "True Reportory" original-spelling version (.doc)] at Virtual Jamestown.}-
 
[[Категорија:Дела Вилијема Шекспира]]
 
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