Bura (drama)

Bura je delo Vilijama Šekspira, za koje se veruje da je napisano 1610—1611, a mnogi kritičari misle da je to zadnje delo koje je Šekspir napisao sam. Radnja je smeštena na udaljenom ostrvu, gde Prospero, zakoniti vojvoda od Milana, planira da povrati njegovu ćerku Mirandu na njeno pravo mesto koristeći se iluzijama i veštom manipulacijom. On stvara buru da bi doveo njegovog brata Antonija i njegovog saučesnika Kralja Alonsa od Napulja na ostrvo. Tamo, njegove spletke dovode do otkrivanja Antonijeve “niske prirode”, kajanja kralja, i braka Mirande sa Alonsovim sinom, Ferdinandom.

Brodolom u činu I, sceni 1

Bura se razlikuje od ostalih Šekspirovih drama u njenom posmatranju strožeg, više organizovanog neoklasičnog stila. Kritičari vide Buru eksplicitno zabrinuti njenom prirodom kao predstavom, često izvlačeći linije između Prosperove “umetnosti” i teatričke iluzije, a raniji kritičari su videli Prospera kao reprezentaciju Šekspira, a Prosperovo odricanje od magije kao Šekspirov “poslednji pozdrav” bini. Drama opisuje Prospera kao racionalnog, i ne okultnog, čarobnjaka. On je prdstavljen kao kontrast Sicoraskiːnjena magija je opisana kao destruktivna i grozna dok je Prosperova magija čudesna i prelepa.

Početkom 1950–ih, sa publikacijom Psihologije kolonazacije od Oktavija Manonija, Bura je viđena sve više i više kroz sočiva postkolonističke teorije. Zbog malo uloga koje žene igraju u delu, Bura nije privukla mnogo feminističkog kriticizma.

Bura nije privukla značajnu količinu pažnje pre zatvaranja u pozorištima 1642, a tek stekla popularnost posle resturacije Engleske monarhije, i samo u prilagođenim verzijama.

LiteraturaUredi

Auberlen, Eckhard (1991). „The Tempest and the Concerns of the Restoration Court: A Study of The Enchanted Island and the Operatic Tempest”. Restoration: Studies in English Literary Culture, 1660–1700. 15: 71—88. ISSN 1941-952X.
Billington, Michael (1. 1. 1989). „In Britain, a Proliferation of Prosperos”. The New York Times. Приступљено 20. 12. 2008.
Blades, James; Holland, James (2003). „Celesta”. Ур.: Sadie, Stanley; Tyrrell, John. The New Grove Dictionary of Music and Musicians. 5. Oxford: Oxford University Press. ISBN 978-0-19-517067-2.
Brode, Douglas (2001). Shakespeare in the Movies: From the Silent Era to Today. New York: Berkley Boulevard Books. ISBN 978-0-425-18176-8.
Carey-Webb, Allen (1993). „Shakespeare for the 1990s: A Multicultural Tempest”. The English Journal. National Council of Teachers of English. 82 (4): 30—5. ISSN 0013-8274. JSTOR 820844. OCLC 1325886. doi:10.2307/820844.
Cartelli, Thomas (1995). „After 'The Tempest:' Shakespeare, Postcoloniality, and Michelle Cliff's New, New World Miranda”. Contemporary Literature. University of Wisconsin Press. 36 (1): 82—102. ISSN 0010-7484. JSTOR 1208955. OCLC 38584750. doi:10.2307/1208955.
Chambers, Edmund Kerchever (1930). William Shakespeare: A Study of Facts and Problems. Oxford: Clarendon Press.
Coursen, Herbert (2000). The Tempest: A Guide to the Play. Westport: Greenwood Press. ISBN 978-0-313-31191-8.
Croyden, Margaret (1969). „Peter Brook's Tempest”. The Drama Review. 13 (3): 125—8. JSTOR 1144467. doi:10.2307/1144467.
Dawson, Anthony (2002). „International Shakespeare”. Ур.: Wells, Stanley; Stanton, Sarah. The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press. стр. 174–93. ISBN 978-0-521-79711-5.
Dobson, Michael (1992). The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769. Oxford: Oxford University Press. ISBN 978-0-19-818323-5.
Dolan, Frances E. (1992). „The Subordinate('s) Plot: Petty Treason and the Forms of Domestic Rebellion”. Shakespeare Quarterly. Johns Hopkins University Press. 43 (3): 317—340. ISSN 0037-3222. JSTOR 2870531. OCLC 39852252. doi:10.2307/2870531.
Dymkowski, Christine (2000). The Tempest. Cambridge: Cambridge University Press. ISBN 978-0-521-78375-0.
Forsyth, Neil (2000). „Shakespeare the Illusionist: Filming the Supernatural”. Ур.: Jackson, Russell. The Cambridge Companion to Shakespeare on Film. Cambridge: Cambridge University Press. стр. 274–94. ISBN 978-0-521-63975-0.
Gallois, Jean (2003). „Ernest Chausson”. Ур.: Sadie, Stanley; Tyrrell, John. The New Grove Dictionary of Music and Musicians. 5. Oxford: Oxford University Press. ISBN 978-0-19-517067-2.
Gay, Penny (2002). „Women and Shakespearean Performance”. Ур.: Wells, Stanley; Stanton, Sarah. The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press. стр. 155–73. ISBN 978-0-521-79711-5.
Gibson, Rex (2006). The Tempest. Cambridge Student Guides. Cambridge: Cambridge University Press. ISBN 0-521-53857-2.
Gielgud, John; Miller, John (1991). Acting Shakespeare. Applause Books. ISBN 1-55783-374-5.
Gielgud, John (2005). Mangan, Richard, ур. Sir John Gielgud: A Life in Letters. Arcade Publishing. ISBN 978-1-55970-755-8.
Greenhalgh, Susanne (2007). „Shakespeare overheard: performances, adaptations, and citations on radio”. Ур.: Shaughnessy, Robert. The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press. стр. 175–98. ISBN 978-0-521-60580-9.
Gurr, Andrew (1989). „The Tempest's Tempest at Blackfriars”. Shakespeare Survey. Shakespeare Survey. Cambridge University Press. 41: 91—102. ISBN 978-0-521-36071-5. doi:10.1017/CCOL0521360714.009.
Halliday, F.E. (1964). A Shakespeare Companion 1564–1964. Baltimore: Penguin. ISBN 978-0-7156-0309-3.
Hirst, David L. (1984). The Tempest: Text and Performance. Macmillan. ISBN 978-0-333-34465-1.
Howard, Tony (2000). „Shakespeare's Cinematic Offshoots”. Ур.: Jackson, Russell. The Cambridge Companion to Shakespeare on Film. Cambridge: Cambridge University Press. ISBN 978-0-521-63975-0.
Howard, Tony (2003). „Shakespeare on Film and Video”. Ур.: Wells, Stanley; Orlin, Lena Cowen. Shakespeare: An Oxford Guide. Oxford: Oxford University Press. стр. 607—619. ISBN 978-0-19-924522-2.
Jackson, Russell, ур. (2000). The Cambridge Companion to Shakespeare on Film. Cambridge: Cambridge University Press. ISBN 978-0-521-63975-0.
Jacobs, Arthur (1986). Arthur Sullivan – A Victorian Musician. Oxford: Oxford University Press. ISBN 978-0-19-282033-4.
Kennedy, Michael (1992). The Works of Ralph Vaughan Williams. Oxford University Press. ISBN 978-0-19-816330-5.
Lawrence, Arthur H. (1897). „An illustrated interview with Sir Arthur Sullivan”. The Strand Magazine. George Newnes. xiv (84). Архивирано из оригинала на датум 13. 12. 2014. Приступљено 22. 01. 2013.
Loomie, Albert J. (1971). „King James I's Catholic Court”. Huntington Library Quarterly. 34 (4): 303—16.
Malone, Edmond (1808). An Account of the Incidents, from which the Title and Part of the Story of Shakespeare's Tempest were derived, and its true date ascertained. London: C. and R. Baldwin, New Bridge-Street.
Marsden, Jean I. (2002). „Improving Shakespeare: from the Restoration to Garrick”. Ур.: Wells, Stanley; Stanton, Sarah. The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press. стр. 21–36. ISBN 978-0-521-79711-5.
Moody, Jane (2002). „Romantic Shakespeare”. Ур.: Wells, Stanley; Stanton, Sarah. The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press. стр. 37–57. ISBN 978-0-521-79711-5.
Muir, Kenneth (2005). The Sources of Shakespeare's Plays. Routledge Library Editions – Shakespeare. Routledge. ISBN 978-0-415-35299-4.
Nixon, Rob (1987). „Caribbean and African Appropriations of The Tempest”. Critical Inquiry. The University of Chicago Press. 13 (3): 557—78. ISSN 0093-1896. OCLC 37521707. doi:10.1086/448408.
Orgel, Stephen (1984). „Prospero's Wife”. Representations. 8 (October): 1—13. doi:10.1525/rep.1984.8.1.99p00753.
Orgel, Stephen (1987). The Tempest. The Oxford Shakespeare. Oxford: Oxford University Press. ISBN 978-0-19-953590-3.
Orgel, Stephen (2007). „Shakespeare Illustrated”. Ур.: Shaughnessy, Robert. The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press. стр. 67–92. ISBN 978-0-521-60580-9.
Phillips, James E. (1964). „The Tempest and Renaissance Idea of Man”. Shakespeare Quarterly. Folger Shakespeare Library. 15 (2): 147—59. ISSN 1538-3555. doi:10.2307/2867886.
Pollard, Alfred W. (2002). Shakespeare folios and quartos: a study in the bibliography of Shakespeare's plays, 1594–1685 (reprint изд.). Martino. ISBN 978-1-57898-300-1.
Rozakis, Laurie (1999). The Complete Idiot's Guide to Shakespeare. New York: Alpha Books. ISBN 978-0-02-862905-6.
Saccio, Peter (1980). „American Shakespeare Theatre, Stratford, Connecticut”. Shakespeare Quarterly. Johns Hopkins University Press. 31 (2): 187—191. ISSN 0037-3222. JSTOR 2869526. doi:10.2307/2869526.
Sadie, Stanley, ур. (1992). The New Grove Dictionary of Opera. Oxford: Oxford University Press. ISBN 978-0-19-522186-2.
Sadie, Stanley; Tyrrell, John, ур. (2003). The New Grove Dictionary of Music and Musicians. Oxford: Oxford University Press. ISBN 978-0-19-517067-2.
Sanders, Julie (2007). Shakespeare and Music: Afterlives and Borrowings. Cambridge: Polity Press. ISBN 978-0-7456-3297-1.
Schoch, Richard W. (2002). „Pictorial Shakespeare”. Ур.: Wells, Stanley; Stanton, Sarah. The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press. стр. 58–75. ISBN 978-0-521-79711-5.
Shaughnessy, Robert, ур. (2007). The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press. ISBN 978-0-521-60580-9.
Sullivan, Arthur (27. 10. 1881). „English Composers and Musicians”. The Times (30336). pp. 8, col. C. Архивирано из оригинала на датум 19. 03. 2015. Приступљено 22. 01. 2013.
Thomson, Peter (2002). „The Comic Actor and Shakespeare”. Ур.: Wells, Stanley; Stanton, Sarah. The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press. стр. 137–54. ISBN 978-0-521-79711-5.
Tovey, Donald Francis (1931). A Companion to Beethoven's Pianoforte Sonatas. Ams Pr. ISBN 978-0-404-13117-3.
Tuttle, Raymond (1996). „Michael Nyman: Noises, Sounds & Sweet Airs”. Приступљено 21. 12. 2008.
Vaughan, Virginia Mason; Vaughan, Alden T. (1999). The Tempest. The Arden Shakespeare, Third Series. The Arden Shakespeare. ISBN 978-1-903436-08-0.
Vaughan, Alden T. (2008). „William Strachey's "True Reportory" and Shakespeare: A Closer Look at the Evidence”. Shakespeare Quarterly. Johns Hopkins University Press. 59 (3): 245. ISSN 1538-3555. doi:10.1353/shq.0.0017.
Wells, Stanley; Stanton, Sarah, ур. (2002). The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press. ISBN 978-0-521-79711-5.
Wells, Stanley; Orlin, Lena Cowen, ур. (2003). Shakespeare: An Oxford Guide. Oxford: Oxford University Press. ISBN 978-0-19-924522-2.
Wilson, Christopher R. (1992). „William Shakespeare”. Ур.: Sadie, Stanley. The New Grove Dictionary of Opera. 4. Oxford: Oxford University Press. ISBN 978-0-19-522186-2.
Ylirotu, Jeremias (2005). „Sibelius: Incidental Music for the Tempest, op. 109”. Приступљено 7. 12. 2008.
Bowling, Lawrence E. (1951). „The Theme of Natural Order in "The Tempest"”. College English. National Council of Teachers of English. 12 (4): 203—9. ISSN 0010-0994. JSTOR 372626. doi:10.2307/372626.
Buchanan, Judith (2005). Shakespeare on Film. Harlow: Pearson plc. ISBN 978-0-582-43716-6.
Buchanan, Judith (2009). Shakespeare on Silent Film: An Excellent Dumb Discourse. Cambridge: Cambridge University Press. ISBN 978-0-521-87199-0.
Cantor, Paul A. (1980). „Shakespeare's The Tempest: The Wise Man as Hero”. Shakespeare Quarterly. Folger Shakespeare Library. 31 (1): 64—75. ISSN 0037-3222. JSTOR 2869370. doi:10.2307/2869370.
Gilman, Ernest B. (1980). „"All eyes": Prospero's Inverted Masque”. Renaissance Quarterly. The University of Chicago Press. 33 (2): 214—230. ISSN 0034-4338. JSTOR 2861118. OCLC 37032182. doi:10.2307/2861118.
Graff, Gerald; Phelan, James (2000), The Tempest: A Case Study in Critical Controversy, London: Macmillan Publishers
Grant, Patrick (1976). „The Magic of Charity: A Background to Prospero”. The Review of English Studies. Oxford University Press. XXVII (105): 1—16. ISSN 1471-6968. doi:10.1093/res/XXVII.105.1.
Knight, G. Wilson (1984), Shakespearean Dimensions, Harvester
Sagar, Keith (2005), „The Crime Against Caliban”, Literature and the Crime Against Nature, London: Chaucer Press
Yates, Frances A. (1975), Shakespeare's Last Plays: A New Approach, London: Routledge & Kegan Paul
Yates, Frances A. (1979), The Occult Philosophy in the Elizabethan Age, London: Routledge & Kegan Paul
Zimbardo, Rose Abdelnour (1963). „Form and Disorder in The Tempest”. Shakespeare Quarterly. Folger Shakespeare Library. 14 (1): 49—56. ISSN 0037-3222. JSTOR 2868137. doi:10.2307/2868137.

Spoljašnje vezeUredi

The Tempest Navigator
Introductory Lecture on The Tempest
Lesson plans for The Tempest at Web English Teacher
William Strachey's "True Reportory" original-spelling version (.doc) at Virtual Jamestown.